Incemination 8
2025, AI Animation, Digital Art , Contemporary, Conceptual art, Hyperrealism
Animation
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Third episode in “Incemination” series.
Insemination 8 advances the unfolding mythology of the Synthetarium.
This new episode centers again on Bronze Companion. She confides, without hesitation, that after a recent encounter with her Bronze Companion, something unprecedented has occurred—she is conceiving a child. Not hypothetically, not in theory, but actually.
Venus and Ares dismiss her declaration with amused disbelief, exchanging glances loaded with glitchy irony. To them, her announcement is nothing more than a joke—a malfunction dressed as a miracle. They laugh softly, as though remembering their own failure too clearly to imagine success in anyone else.
Yet the bronzed companion remains undeterred. Her happiness is not performative; it is contagious, destabilizing the logic of the Synthetarium in ways subtle and irreversible. As she prepares for what she insists is her approaching labour, the episode follows her journey from disbelief to certainty, from rumor to reality.
Insemination 8 expands the series’ exploration of synthetic reproduction, longing, and emergent identity. It suggests that in a world built from code and composites, even the smallest anomaly can shift the entire mythology—because every engineered being carries, somewhere within, the potential for creation… or the possibility of a beautiful, unexpected glitch.
- Country Ukraine
- Year 2025
- Styles
- Medium
- Physical canvas 48cm x 27cm
Kryvych is a contemporary multidisciplinary artist born in Kyiv, who studied art in both Kyiv and Madrid. Anna explores the mechanisms of human interaction with the world through artistic practice. Her works reveal deeper layers of reality, truth, and existence. She investigates themes of dehumanization, estrangement from nature, and immersion into artificial constructs that distort our connection to the essence of life. By creating visual narratives that resonate with philosophical and apocalyptic concepts, Anna seeks to uncover the hidden forces shaping human experience — particularly through the lens of presence and the exploration of extreme existential boundaries.
Working across painting, sculpture, and object-based installation, she reflects on the shifting boundary between the real and the simulated, the living body and its artificial extinction. Her recent works engage with themes of posthuman ecology, chromatic surfaces, and speculative anatomies — including chrome-finished animals, robots, and hybrid beings suspended between evolution and erasure. She often incorporates vacuum-sealed objects, metallic textures, and artificial skins to explore how presence can become a trace, and how nature begins to perform itself as image.
Kryvych’s artistic inquiry is guided by questions such as:
– What happens to corporeality in a world where everything can be copied?
– Can art still function as a site of resistance in a culture of seamless simulation?
– And is true desire still possible when experience is endlessly reproduced?
Her work has been exhibited in Madrid, Zurich, and the Museum of the History of Kyiv, as well as in numerous group and solo exhibitions across Ukraine and Europe. Recent exhibitions include The Sea (Stable Gallery, Vienna), Fragments (Eye Sea Gallery, Kyiv), Please softer (Octo Gallery, Kyiv), and Spanish Group Exhibition (Galeria Lanza Art, Madrid).
Kryvych’s works are part of private collections in Ukraine, Spain, and Switzerland.
- Color profile description
- 48 bit color depth, 281 Trillion Colors
- Photographer
- Digital Original Studio
