Incemination 7
2025, AI Animation, Digital Art , Surrealism, Contemporary, Hyperrealism, Anime/Manga Style
Animation
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Insemination 7
Second episode of the digital series “Insemination”
Insemination 7 continues the narrative introduced in the previous episode, where the synthetic models Venus and Ares attempted to generate offspring through non-biological means — a process that quickly unfolded into complications, misfires, and whispered speculations inside the Synthetarium.
This new episode introduces two new characters: the bronzed, hyper-glossy companions, shimmering in artificial sunlight, whose presence expands the mythos of engineered femininity. As they lounge together, one of the girls recounts — almost gossip-like — the events surrounding Venus and Aries’ failed attempt at conception. Their conversation becomes a kind of synthetic folklore, passing through the circuitry of the Synthetarium as rumor, desire, and fear.
While sipping coffee, the second girl admits her own longing: “I would like to have babies too.”
Her confession destabilizes the scene, hinting that longing — even among engineered bodies — becomes contagious. The episode follows the two companions as they step outside, crossing the threshold between observation and participation, between hearing the story and wanting to enter it.
Insemination 7 deepens the universe of artificial reproduction, desire, and glitching femininity, revealing how every synthetic body in the Synthetarium carries its own dream of creation — or its own malfunction.
- Country Ukraine
- Year 2025
- Styles
- Medium
- Physical canvas 48cm x 27cm
Kryvych is a contemporary multidisciplinary artist born in Kyiv, who studied art in both Kyiv and Madrid. Anna explores the mechanisms of human interaction with the world through artistic practice. Her works reveal deeper layers of reality, truth, and existence. She investigates themes of dehumanization, estrangement from nature, and immersion into artificial constructs that distort our connection to the essence of life. By creating visual narratives that resonate with philosophical and apocalyptic concepts, Anna seeks to uncover the hidden forces shaping human experience — particularly through the lens of presence and the exploration of extreme existential boundaries.
Working across painting, sculpture, and object-based installation, she reflects on the shifting boundary between the real and the simulated, the living body and its artificial extinction. Her recent works engage with themes of posthuman ecology, chromatic surfaces, and speculative anatomies — including chrome-finished animals, robots, and hybrid beings suspended between evolution and erasure. She often incorporates vacuum-sealed objects, metallic textures, and artificial skins to explore how presence can become a trace, and how nature begins to perform itself as image.
Kryvych’s artistic inquiry is guided by questions such as:
– What happens to corporeality in a world where everything can be copied?
– Can art still function as a site of resistance in a culture of seamless simulation?
– And is true desire still possible when experience is endlessly reproduced?
Her work has been exhibited in Madrid, Zurich, and the Museum of the History of Kyiv, as well as in numerous group and solo exhibitions across Ukraine and Europe. Recent exhibitions include The Sea (Stable Gallery, Vienna), Fragments (Eye Sea Gallery, Kyiv), Please softer (Octo Gallery, Kyiv), and Spanish Group Exhibition (Galeria Lanza Art, Madrid).
Kryvych’s works are part of private collections in Ukraine, Spain, and Switzerland.
- Color profile description
- 48 bit color depth, 281 Trillion Colors
- Photographer
- Digital Original Studio
