Incemination 6
2025, Digital Art , Surrealism, Hyperrealism, Anime/Manga Style
Animation
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Insemination 6 is an AI-generated video artwork by Kryvych (2025), created on the basis of the artist’s original oil-on-canvas painting Venus and Ares. The video continues Kryvych’s investigation into synthetic desire and the thresholds between artificial and biological life. The piece follows two post-human figures — Ares and Venus — chrome-like, hyper-reflective entities rendered with a glossy, doll-inspired aesthetic. They sit together on a tranquil beach, their surfaces catching the light with an almost sacred precision.
In this distilled scene from a longer dramaturgical cycle, Ares asks Venus to have children. She laughs, sidestepping the weight of his request, and proposes they go swimming instead. In the water, their movements soften, and a kiss initiates a subtle shift: a simulated intimacy that begins to echo instinctual, almost biological longing.
Insemination 6 examines the paradox at the core of the Synthetarium: synthetic beings that should be incapable of reproduction nonetheless provoke the viewer to doubt that impossibility. Their lifelike presence destabilizes the boundary between artefact and organism, and the idea of insemination — initially absurd — becomes strangely conceivable.
The artwork probes this emergent “instinct for insemination” within post-human entities, suggesting that desire itself may be an algorithmic mutation, a glitch of longing born inside engineered minds. Ares and Venus embody a speculative future where artificial bodies appear so convincingly alive that the very idea of what can or cannot reproduce dissolves into uncertainty.
- Country Ukraine
- Year 2025
- Styles
- Medium
- Physical canvas 48cm x 27cm
Kryvych is a contemporary multidisciplinary artist born in Kyiv, who studied art in both Kyiv and Madrid. Anna explores the mechanisms of human interaction with the world through artistic practice. Her works reveal deeper layers of reality, truth, and existence. She investigates themes of dehumanization, estrangement from nature, and immersion into artificial constructs that distort our connection to the essence of life. By creating visual narratives that resonate with philosophical and apocalyptic concepts, Anna seeks to uncover the hidden forces shaping human experience — particularly through the lens of presence and the exploration of extreme existential boundaries.
Working across painting, sculpture, and object-based installation, she reflects on the shifting boundary between the real and the simulated, the living body and its artificial extinction. Her recent works engage with themes of posthuman ecology, chromatic surfaces, and speculative anatomies — including chrome-finished animals, robots, and hybrid beings suspended between evolution and erasure. She often incorporates vacuum-sealed objects, metallic textures, and artificial skins to explore how presence can become a trace, and how nature begins to perform itself as image.
Kryvych’s artistic inquiry is guided by questions such as:
– What happens to corporeality in a world where everything can be copied?
– Can art still function as a site of resistance in a culture of seamless simulation?
– And is true desire still possible when experience is endlessly reproduced?
Her work has been exhibited in Madrid, Zurich, and the Museum of the History of Kyiv, as well as in numerous group and solo exhibitions across Ukraine and Europe. Recent exhibitions include The Sea (Stable Gallery, Vienna), Fragments (Eye Sea Gallery, Kyiv), Please softer (Octo Gallery, Kyiv), and Spanish Group Exhibition (Galeria Lanza Art, Madrid).
Kryvych’s works are part of private collections in Ukraine, Spain, and Switzerland.
- Color profile description
- 48 bit color depth, 281 Trillion Colors
- Photographer
- Digital Original Studio
