Independent flowers
2025, Digital format , Surrealism, Contemporary, Conceptual art, Hyperrealism, Futurism
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Independent Flowers of the Synthetarium
In this still life, the boundary between the living and the artificial disappears. These flowers, grown not from soil but from imagination, do not obey the laws of nature.
Their independence does not lie in freedom from humans, but in their refusal to be part of the organic world. They emerge as symbols of a new environment—the synthetarium—where life is simulated so convincingly that we can no longer distinguish imitation from reality. Here, a flower does not represent nature—it becomes a new truth, an autonomous entity that knows neither loss nor aging.
They also reflect the human habit of keeping plastic flowers at home—flowers that have no scent and no energy, yet become part of our spaces. Why do people do this? Because they will not see evidences of aging and no need to give their care for maintenance?
This work is digital format of my oil on canvas work with AI editing
- Country Ukraine
- Year 2025
- Styles
- Medium
Kryvych is a contemporary multidisciplinary artist born in Kyiv, who studied art in both Kyiv and Madrid. Anna explores the mechanisms of human interaction with the world through artistic practice. Her works reveal deeper layers of reality, truth, and existence. She investigates themes of dehumanization, estrangement from nature, and immersion into artificial constructs that distort our connection to the essence of life. By creating visual narratives that resonate with philosophical and apocalyptic concepts, Anna seeks to uncover the hidden forces shaping human experience — particularly through the lens of presence and the exploration of extreme existential boundaries.
Working across painting, sculpture, and object-based installation, she reflects on the shifting boundary between the real and the simulated, the living body and its artificial extinction. Her recent works engage with themes of posthuman ecology, chromatic surfaces, and speculative anatomies — including chrome-finished animals, robots, and hybrid beings suspended between evolution and erasure. She often incorporates vacuum-sealed objects, metallic textures, and artificial skins to explore how presence can become a trace, and how nature begins to perform itself as image.
Kryvych’s artistic inquiry is guided by questions such as:
– What happens to corporeality in a world where everything can be copied?
– Can art still function as a site of resistance in a culture of seamless simulation?
– And is true desire still possible when experience is endlessly reproduced?
Her work has been exhibited in Madrid, Zurich, and the Museum of the History of Kyiv, as well as in numerous group and solo exhibitions across Ukraine and Europe. Recent exhibitions include The Sea (Stable Gallery, Vienna), Fragments (Eye Sea Gallery, Kyiv), Please softer (Octo Gallery, Kyiv), and Spanish Group Exhibition (Galeria Lanza Art, Madrid).
Kryvych’s works are part of private collections in Ukraine, Spain, and Switzerland.
- Color profile description
- 48 bit color depth, 281 Trillion Colors
- Photographer
- Digital Original Studio
