SX002 Models Venus & Ares
2025, Digital format , Pop art, Contemporary, Hyperrealism, Futurism
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As a child, I was one of those kids who tore pages out of their notebooks if there was a mistake. I couldn't stand stains, corrections, uneven lines. My notebooks were always thin — because of that longing for a sterile space. A space where everything is under control, where there's no room for randomness, where things can be done right.
Synthetarium is an echo of that. Of that childhood instinct.
But now it's merged with a contemporary aesthetic, where sterility is no longer about cleanliness — it's about safety. A distilled environment where it's not frightening to have a body. Maybe not quite a human body - but a body that doesn't hurt, doesn't make mistakes, doesn't get anxious.
And if it does, it experiences it differently.
In this work — "SX 002 Models Venus & Ares" — I take Venus and Ares and give them another body. Models made for viewing. But still, I believe they can be Alive. Just in another way. This is no longer a body that feels, but one that experiences another kind of sensation. A body that might look like a gleaming shell - but still holds the attempt to regain feeling. Even if only simulated.
Also this digital model served as a reference to my work “SX003 Models Venus & Ares” that I did in oil on canvas.
I'm rethinking what makes the Living - alive. And whether re-humanization can begin with the synthetic. Not as a return, but as another form of closeness.
- Country Ukraine
- Year 2025
- Styles
- Medium
Kryvych is a contemporary multidisciplinary artist born in Kyiv, who studied art in both Kyiv and Madrid. Anna explores the mechanisms of human interaction with the world through artistic practice. Her works reveal deeper layers of reality, truth, and existence. She investigates themes of dehumanization, estrangement from nature, and immersion into artificial constructs that distort our connection to the essence of life. By creating visual narratives that resonate with philosophical and apocalyptic concepts, Anna seeks to uncover the hidden forces shaping human experience — particularly through the lens of presence and the exploration of extreme existential boundaries.
Working across painting, sculpture, and object-based installation, she reflects on the shifting boundary between the real and the simulated, the living body and its artificial extinction. Her recent works engage with themes of posthuman ecology, chromatic surfaces, and speculative anatomies — including chrome-finished animals, robots, and hybrid beings suspended between evolution and erasure. She often incorporates vacuum-sealed objects, metallic textures, and artificial skins to explore how presence can become a trace, and how nature begins to perform itself as image.
Kryvych’s artistic inquiry is guided by questions such as:
– What happens to corporeality in a world where everything can be copied?
– Can art still function as a site of resistance in a culture of seamless simulation?
– And is true desire still possible when experience is endlessly reproduced?
Her work has been exhibited in Madrid, Zurich, and the Museum of the History of Kyiv, as well as in numerous group and solo exhibitions across Ukraine and Europe. Recent exhibitions include The Sea (Stable Gallery, Vienna), Fragments (Eye Sea Gallery, Kyiv), Please softer (Octo Gallery, Kyiv), and Spanish Group Exhibition (Galeria Lanza Art, Madrid).
Kryvych’s works are part of private collections in Ukraine, Spain, and Switzerland.
- Color profile description
- 48 bit color depth, 281 Trillion Colors
- Photographer
- Digital Original Studio
