Adam’s Apple
2025, Digital format, Digital print , Surrealism, Contemporary, Modernism, Futurism, Сучасне мистецтво
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Adam still holds the red, organic apple — the so-called “original” fruit, unbitten, full of potential and naiveté. He seems to exist before the fall, still within the linear arc of myth. But that’s an illusion. The viewer already knows that time, here, is not a line — it is a loop.
While the apple remains untouched, the chrome has already arrived — not in the fruit, but in the cat resting in his arms.
The chrome cat is calm and quiet, but carries with it the contagion of transformation. It is the vessel of future knowledge, a mirror wrapped in chrome, purring with inevitability.
Adam does not realize it yet, but he is no longer outside the loop.
He is not in Eden, but in the middle of a cycle. His innocence is not original — it is suspended, fragile, already penetrated by the aesthetics of what is to come.
Even though his apple is red, the logic of chrome — reflective, cold, irreversible — has already touched him.
In contrast to Eve’s apple, which has become resistant, sealed, and intentional, Adam’s apple remains available, vulnerable, but ultimately obsolete.
The chrome cat represents what comes after the bite, now curled up calmly before it — a visual contradiction that reveals the collapsed temporality of the myth.
This work speaks of cyclical fate, delayed inevitability, and the subtle ways transformation arrives — not as catastrophe, but as presence.
While Eve tries to protect, Adam quietly absorbs.
In the loop, both are transformed — one knowingly, the other gradually.
- Country Ukraine
- Year 2025
- Styles
- Medium
Kryvych is a contemporary multidisciplinary artist born in Kyiv, who studied art in both Kyiv and Madrid. Anna explores the mechanisms of human interaction with the world through artistic practice. Her works reveal deeper layers of reality, truth, and existence. She investigates themes of dehumanization, estrangement from nature, and immersion into artificial constructs that distort our connection to the essence of life. By creating visual narratives that resonate with philosophical and apocalyptic concepts, Anna seeks to uncover the hidden forces shaping human experience — particularly through the lens of presence and the exploration of extreme existential boundaries.
Working across painting, sculpture, and object-based installation, she reflects on the shifting boundary between the real and the simulated, the living body and its artificial extinction. Her recent works engage with themes of posthuman ecology, chromatic surfaces, and speculative anatomies — including chrome-finished animals, robots, and hybrid beings suspended between evolution and erasure. She often incorporates vacuum-sealed objects, metallic textures, and artificial skins to explore how presence can become a trace, and how nature begins to perform itself as image.
Kryvych’s artistic inquiry is guided by questions such as:
– What happens to corporeality in a world where everything can be copied?
– Can art still function as a site of resistance in a culture of seamless simulation?
– And is true desire still possible when experience is endlessly reproduced?
Her work has been exhibited in Madrid, Zurich, and the Museum of the History of Kyiv, as well as in numerous group and solo exhibitions across Ukraine and Europe. Recent exhibitions include The Sea (Stable Gallery, Vienna), Fragments (Eye Sea Gallery, Kyiv), Please softer (Octo Gallery, Kyiv), and Spanish Group Exhibition (Galeria Lanza Art, Madrid).
Kryvych’s works are part of private collections in Ukraine, Spain, and Switzerland.
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