Which Teddy Bear is the cutest?
2025, Digital format, Digital print , Surrealism, Contemporary, Conceptual art, Futurism, Сучасне мистецтво
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This work reflects my thoughts on transformed corporeality in today’s world. After the war in Ukraine, many people have come to be known as “cyborgs” — survivors who embody resilience and new forms of existence. Posthumanism today is full of robots and hybrids, but the metaphysics of life still unfolds through simple, everyday choices.
In this piece, a female robot in a skirt stands in a toy bear aisle, holding a basket of vegetables — a quiet but powerful image of altered embodiment. Though her form is artificial, she moves through the routines of daily life, embodying the spirit of our time.
Through this work, I ask: what makes the living, living? And can the inanimate become alive? The answers hide in the tension between flesh and machine, routine and consciousness, survival and meaning.
- Country Ukraine
- Year 2025
- Styles
- Medium
Kryvych is a contemporary multidisciplinary artist born in Kyiv, who studied art in both Kyiv and Madrid. Anna explores the mechanisms of human interaction with the world through artistic practice. Her works reveal deeper layers of reality, truth, and existence. She investigates themes of dehumanization, estrangement from nature, and immersion into artificial constructs that distort our connection to the essence of life. By creating visual narratives that resonate with philosophical and apocalyptic concepts, Anna seeks to uncover the hidden forces shaping human experience — particularly through the lens of presence and the exploration of extreme existential boundaries.
Working across painting, sculpture, and object-based installation, she reflects on the shifting boundary between the real and the simulated, the living body and its artificial extinction. Her recent works engage with themes of posthuman ecology, chromatic surfaces, and speculative anatomies — including chrome-finished animals, robots, and hybrid beings suspended between evolution and erasure. She often incorporates vacuum-sealed objects, metallic textures, and artificial skins to explore how presence can become a trace, and how nature begins to perform itself as image.
Kryvych’s artistic inquiry is guided by questions such as:
– What happens to corporeality in a world where everything can be copied?
– Can art still function as a site of resistance in a culture of seamless simulation?
– And is true desire still possible when experience is endlessly reproduced?
Her work has been exhibited in Madrid, Zurich, and the Museum of the History of Kyiv, as well as in numerous group and solo exhibitions across Ukraine and Europe. Recent exhibitions include The Sea (Stable Gallery, Vienna), Fragments (Eye Sea Gallery, Kyiv), Please softer (Octo Gallery, Kyiv), and Spanish Group Exhibition (Galeria Lanza Art, Madrid).
Kryvych’s works are part of private collections in Ukraine, Spain, and Switzerland.
- Color profile description
- 48 bit color depth, 281 Trillion Colors
- Photographer
- Digital Original Studio
