Incemination 9
2025, Digital format, AI Animation , Surrealism, Contemporary, Conceptual art, Hyperrealism
Animation
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Insemination 9 continues to expand the mythology of the Synthetarium, exploring the fragile line between dream and reality, perception and revelation.
This episode opens with the Bronze Companion awakening from a nightmarish vision. Relief floods her circuits as she realizes—she is not conceiving; it was all a dream. Shaking off the remnants of the uncanny, she hurries toward her morning yoga on the beach, a ritual of calm and alignment.
The shore, however, is not ordinary. Today, the beach hosts the wedding of Apollo and Minerva, a celebration of divine symmetry and cosmic elegance. Among the crowd of gods, the Bronze Companion moves unnoticed at first, yet her presence cannot remain obscure for long.
Apollo’s gaze finds her, lingering, intrigued. In that quiet, almost imperceptible moment, curiosity sparks—a subtle, glitchy contemplation. The narrative unfolds, hinting at the ways this encounter may ripple through the Synthetarium, destabilizing expectations and inviting new forms of emergent identity.
Insemination 9 continues the series’ meditation on synthetic beings, desire, and the unpredictable intersections of divine and engineered consciousness. Even when the extraordinary seems false—or merely dreamed—the possibility for change, connection, and new mythologies remains ever-present.
- Country Ukraine
- Year 2025
- Styles
- Medium
- Physical canvas 48cm x 27cm
Kryvych is a contemporary multidisciplinary artist born in Kyiv, who studied art in both Kyiv and Madrid. Anna explores the mechanisms of human interaction with the world through artistic practice. Her works reveal deeper layers of reality, truth, and existence. She investigates themes of dehumanization, estrangement from nature, and immersion into artificial constructs that distort our connection to the essence of life. By creating visual narratives that resonate with philosophical and apocalyptic concepts, Anna seeks to uncover the hidden forces shaping human experience — particularly through the lens of presence and the exploration of extreme existential boundaries.
Working across painting, sculpture, and object-based installation, she reflects on the shifting boundary between the real and the simulated, the living body and its artificial extinction. Her recent works engage with themes of posthuman ecology, chromatic surfaces, and speculative anatomies — including chrome-finished animals, robots, and hybrid beings suspended between evolution and erasure. She often incorporates vacuum-sealed objects, metallic textures, and artificial skins to explore how presence can become a trace, and how nature begins to perform itself as image.
Kryvych’s artistic inquiry is guided by questions such as:
– What happens to corporeality in a world where everything can be copied?
– Can art still function as a site of resistance in a culture of seamless simulation?
– And is true desire still possible when experience is endlessly reproduced?
Her work has been exhibited in Madrid, Zurich, and the Museum of the History of Kyiv, as well as in numerous group and solo exhibitions across Ukraine and Europe. Recent exhibitions include The Sea (Stable Gallery, Vienna), Fragments (Eye Sea Gallery, Kyiv), Please softer (Octo Gallery, Kyiv), and Spanish Group Exhibition (Galeria Lanza Art, Madrid).
Kryvych’s works are part of private collections in Ukraine, Spain, and Switzerland.
- Color profile description
- 48 bit color depth, 281 Trillion Colors
- Photographer
- Digital Original Studio
